Morgan Pichinson is the Scripted Content Lead at Roku, working on TV and film projects including WEIRD, DIE HART, THE HOLIDAY SHIFT, and HOW TO FALL IN LOVE BY THE HOLIDAYS. Before joining Roku, Morgan was the President of Julianne Hough’s Canary House Productions, focusing on scripted and unscripted stories about self-discovery, transformation, and identity. She is also the founder of Squad Goals connecting executives, representatives, and producers for fun activities. After graduating from Indiana University, Morgan started her career as an assistant at Verve Talent & Literary Agency, STX Entertainment, and Mosaic Media Group. At Mosaic, she became Director of Development where she focused on scripted comedy including Jordan Peele’s WEIRD CITY.

Christina Campagnola is a founding partner and literary manager at GRLBND, an all-female owned and operated management and production company with a focus on underrepresented voices. She is also the co-founder of WOOO (Writers Out of Office), an all-inclusive, holistic writer's lab that focusses on screenplay development, and equally, the well-being of the creator. Previously, Christina was a literary agent at APA (Agency for the Performing Arts) where she represented screenwriters and directors. While at APA, she helped launch their Independent Film Packaging and Sales division. She currently serves on the Dean’s Council of the Florida State University Film School, where she received a B.F.A in film production.

Wendy Willis joined Six Point in January 2016 as their Head of Development.  She has worked as a creative producer in both features and television for many many years (20+!!!!), selling both comedies and dramas alike.  Wendy and her team produced the animation for the 2020 Oscar-winning short animated film, Hair Love.  She’s currently executive producing The Last Xmas, an R-rated, animated feature for Netflix with Sony and Mosaic as well as OMG, Yes, a pilot for Adult Swim created by Adele Supreme Williams.  In addition to the projects she’s currently in production on, she’s developing many others to take out and pitch.  Prior to Six Point, she was a development executive at Mosaic where she oversaw a slate of projects under their first-look deal at HBO and she also spearheaded the company’s first theater project with Crescendo Productions.  Even further back, Wendy worked for Lorne Michaels at Saturday Night Live and at Mopo Productions where she was a producer on the Oscar-winning, short documentary,Twin Towers.  Wendy hopes to always push boundaries with the types of stories she takes on, the art that’s produced and the people she works with.  More than anything, she wants to have fun and support the many brilliant artists and creators out there. 

Molly Fenton is a Senior Associate at Cohen Gardner LLP. Molly negotiates deals and contracts for a range of clients across the film, television, and digital/new media spaces, including writers, directors, comedians, and on-camera talent. Her practice focuses on the representation of multi-hyphenate creators and rightsholders in acquisitions and collaborative deals for their passion projects.

Molly received her undergraduate degree in Political Science from UC San Diego, and her Juris Doctor from The University of Texas School of Law. While at UT Law, she was the Managing Editor of the Texas Review of Entertainment and Sports Law and Producer of Assault & Flattery (the law school musical revue, which she also co-wrote and starred in).

In 2021, Molly was featured by Variety Magazine as one of Hollywood’s New Leaders.

Averie started her career in television as an NBC Page where she learned the network and studio ropes. Since then, her focus has been exclusively in producing and development, previously with Pascal Pictures, where she helped create an entire television department from the ground up and brought in the prestige project BENEATH A SCARLET SKY with Tom Holland attached. Prior to Pascal Pictures, Averie worked at Invention Films, and for Executive Producer Sara Colleton, where she worked on Bryan Fuller’s HANNIBAL and the last season of DEXTER. She was previously the Head of TV at BOOM! Studios, where she helped shepherd two projects to series (JUST BEYOND on Disney+ and MECH CADET on Netflix), as well set up multiple projects. She is currently the Head of Development and a producing partner at Mandy Moore’s production company, Roll With The Punches. She paid her own way through community college before receiving a scholarship and transferring to Chapman University where she majored in Theater Performance & English Literature. Averie is Native Hawaiian (hapa) and passionate about telling and uplifting Kānaka Maoli stories. Additionally, as someone with chronic illness, she is an active member of the Arthritis Foundation and has raised over $30,000 for autoimmune research and care since she began volunteering with them. Her main goal in life is to watch all the TV, and she does archery on the weekends.

Sarah Aldrich is a development executive at Futurific Studios, overseeing development in film, tv and unscripted. Prior to that she was an executive across film and television at 3311 Productions, and previously worked at companies such as StudioCanal, Gary Sanchez Productions, and Good Universe. She studied screenwriting and theater at USC and is originally from Minnesota.

Rebecca Liaw is the coordinator at Canary House Productions, supporting CEO Julianne Hough and president Morgan Pichinson in creating authentic stories of self-discovery, transformation, and identity. Born to Taiwanese and Burmese immigrants in Southern California, Rebecca strives to create media with diverse and inclusion representation on-screen and behind-the-scenes. Rebecca has previously worked with Grey Matter Productions, CAA, and Ron Howard & Brian Grazer’s Imagine Artist Management. She graduated from Loyola Marymount University with a degree in film and theatre, and is based in Los Angeles.

Rachel is a TV and Film writer with a focus on strong characters, exploring relationships, and the humor that comes from just being a person. She is currently writing a family feature film for Roku and has a comedic biopic about the co-founder of OPI Nail Lacquer in development. She has developed with Broadway Video, Cavalry Media, Loudmouth Media, and Powderkeg. Previously, she was a Contributing Writer/Digital Associate Producer on Comedy Central’s Tosh.0 for over four years. She has written and developed multiple projects for internet, film, audio, and TV and performed standup and improv.

She was a finalist for the Creator's Program at Comedy Central, and has been a finalist for the WB Writer's Workshop, a second-rounder for Austin Film Festival’s Screenplay Competition, and in the Top Ten for Final Draft's Big Break competition.

Rachel teaches Screenwriting and Comedy at New York Film Academy. She also serves as the Director of Operations for Off The Page, a group that empowers femxle screenwriters to build lasting, supportive relationships within the entertainment industry. Additionally, her work has been featured on McSweeney's Internet Tendency, NickMom, XOJane, and in two college textbooks on comedy that her mom keeps on the coffee table.

Nicole Poritzky works in International Marketing at Lionsgate, coordinating global marketing campaigns for worldwide theatrical titles. Her background is in creative development, and she is passionate about helping emerging writers and meaningful stories find a path to success. She has previously worked at Imagine Impact, Mandeville Films, and Paradigm Talent Agency. Nicole received her B.A. from USC School of Cinematic Arts and is originally from outside Boston, Massachusetts.

Molly received her undergraduate degree in Political Science from UC San Diego, and her Juris Doctor from The University of Texas School of Law. While at UT Law, she was the Managing Editor of the Texas Review of Entertainment and Sports Law and Producer of Assault & Flattery (the law school musical revue, which she also co-wrote and starred in).

In 2021, Molly was featured by Variety Magazine as one of Hollywood’s New Leaders.

Abigail Bloom and Laura Huie are an LA-based writer/director duo who’ve been inseparable since they were (literally) stuck together—cast as conjoined twins in a hilariously awful high school play. Over a decade later, their bond as best friends fuels their high-concept, female-led projects brimming with irreverent humor and rooted in female friendship—the kind of stories teenaged Abigail and Laura would’ve been obsessed with.

Since their epic 30-hour trek from Indiana to California with two cats, a U-Haul, and questionable playlists, Abigail and Laura have been on a roll. Their short film AUNTIE TIGRESS won the 2024 WeScreenplay Short Film Lab and went on to place as finalists at HollyShorts, Screencraft, and Outstanding Screenplays. Their dramedy-action pilot YOU WORRY ME has twice earned Screencraft accolades, while their fantasy feature VIRAGO landed on Coverfly’s Red List. Their mockumentary web series SOMETHING WICKED is set to premiere in early 2026.

Beyond their own projects, Abigail and Laura are the VPs of Community & Marketing for Off The Page, an inclusive network for female-identifying and non-binary screenwriters.

Melanie Abrams Fierstein is a first-generation-American screenwriter specializing in twisty, character-driven prestige dramas and IP/true crime adaptations (feature & TV). She is currently in development on a feature drama for Lifetime, and owns the options to 19 New York Times and Wall Street Journal bestselling novels. Most recently she was a staff writer on WORK RETREAT, the ‘LA Director’s Lab’ inaugural miniseries showrun by Emmy Lou Diaz. Melanie is on the Austin Film Festival Top 25 Writers To Watch list and received the 2024 Inevitable Foundation 'Loreen Arbus Foundation' Grant. Previously, she was an accomplished speechwriter, organizer, and political consultant for candidates including Secretary Hillary Clinton, Senator Elizabeth Warren, and many others across the U.S. She mines her unique background and colorful upbringing to write highbrow yet commercial page-turners. When she’s not glued to her laptop, Melanie enjoys reading murder mysteries, thrifting, and hunting down the world's best lobster roll. www.melaniefierstein.com

As a Lebanese-American who grew up across continents, Michelle brings a unique voice and diverse perspective to her screenwriting and 7-year career in the entertainment industry. In her professional roles, from supporting the Roku Originals team to her current role as an Account Manager at The Film Zone, she has developed keen insights into what successful content is, how to identify target audiences, and understanding practical aspects of production operations and budgeting across the scripted, unscripted, and live landscape. As a writer, Michelle specializes in children's and YA screenplays that blend magical realism and animation to tell coming-of-age stories. Her work creates fantastical worlds that resonate with authentic youth experiences. This distinctive approach has earned recognition—her short film "The Science of Wishes" won Best Short Film at Giffoni, one of the world's largest children's film festivals.